Sunday, March 14, 2010

Farm to Fork - An Historic Tale



We learned to eat with our fingers first.

The Church liked us that way and for a long time preached that some eating utensils were an affront to God. The English once considered the fork to be a foppish Italian affectation. And “farm to fork” local food sourcing had another meaning – essentially, the instruments we eat with are merely scaled-down farming tools.

All these thoughts came to me recently when we were having dinner with friends, and I referred to a table knife as a “case knife.” The hostess had never heard of the term, but it was such a common one when I was growing up – “reach me a case knife” – that I never thought about its origins. Interestingly, another couple at the table, both from Tennessee, had also used the term.

When I was growing up in rural West Virginia, we always had names for our various types of knives – case knife, butcher knife, paring knife, pocket knife, switchblade, hunting knife. We didn’t use bread knives, as we seldom baked yeast bread in loaves, or boning knives, not being a fishing people.

So I promised to Google “case knife” and get back to my hostess. The first reference I found was to a company that makes mainly pocket and hunting knives – W.R. Case – but that turned out to be the simple answer but wrong one. Rather, the term dates back to travel in the American South, where 19th Century inns did not provide eating utensils for their guests. The fork was still a rarity at the time, so travelers ate with their fingers and used their knives, which all men carried at the time as a necessary tool and/or weapon, to cut meat at the table or spear errant bits of food.

As the fork was gradually introduced into American society as an eating instrument, really classy men (few women traveled) began traveling with their own eating utensils – a fork, a knife, and maybe a spoon – packed together in their own cases. As forks were new to cutlery, they did not need a distinguishing name, but knives carried for use only at the table only became known as “case knives.”

Early English travelers to Italy made references to the use of table forks there in the early 1600s, but it was well over a hundred years later before they became common in England and later still the U.S. During this period of culinary abstinence, one Catholic cleric wrote, “God in his wisdom has provided man with natural forks – his fingers. Therefore it is an insult to Him to substitute artificial metallic forks when eating.” This also seemed to have been the philosophy of my Uncle Amos, who, in the late 1940s, still licked his plate – holding it up to his face – when he was through eating. While it might not have affronted the deitic Him, it did gross out the rest of Us at the table.

Of course, it’s easy to speculate that all table instruments, used more for delicacy and cleanliness than for a real need – what you can’t eat with your fingers can be drunk from a bowl – came from the miniaturization of farm instruments which were invented centuries earlier as labor-saving devices.

It went like this:

The table knife was a smaller adaptation of a hand saw, and many knives had, and still have, serrations to separate joints of meat or to “saw off” a piece of particularly tough meat.

The spoon had its origins with the shovel, although it was used at table more for liquids than solids.

The fork came from the pitch fork (furca in Latin), used to collect and carry straw, hay and weeds, and at the table was used to collect items on the plate that were in pieces and for which knives and spoons were useless. One could speculate (rightly or wrongly) that the fork first evolved in Italy from a farm instrument to a table instrument as the result of that country’s invention and wide use of spaghetti and other forms of pasta, the quintessential food for forks.

Hewing or striking instruments on the farm – such as axes, hoes and hammers – had little use at the table in their miniature forms, although they are used in the kitchen – meat cleavers (axes) and tenderizers (hammers). The garden hoe or mattock? Simply another form of an axe with the blade on the horizontal.

I’m sure some scholar has determined why early Asians didn’t widely use forks and spoons at the table, but instead devised chop sticks, which are simply an unhinged pair of tongs that utilize the digits of the hand – the thumb especially – as a fulcrum.

In practice, of course, food still falls off my fork, causing a splatter, which invariably gets grease, sauce, or oil on my necktie – but then it’s only serving its probable historic purpose, most likely having evolved from the bib or napkin.

Until next time...

Roger Morris

Friday, March 12, 2010

The Friday Lineup™

A weekly commentary on selected wines tasted.

2008 Corzano e Paterno “Il Corzanello” Tuscany Rosso IGT ($15). Warm, lush cherry fruit with a lean finísh. Delicious. Buy

2006 Corzano e Paterno “Tre Borri” Chianti Riserva ($44). My favorite of the three tasted here – great smooth tannins with vanilla and tart cherry flavors. Buy

2006 Corzano e Paterno “Il Corzano” Tuscany Rosso ($44). Great food wine with good finishing acidity, but not as rich or complex as the Tre Borri. Consider

2006 Clos la Chance “Hummingbird Series” Monterey County Chardonnay ($15). The oak isn’t well integrated, so the wine comes across as too aggressive on the palate. Pass

2005 Marcari North Fork of Long Island Merlot Reserve ($36). Very nice. Dark cherries with a touch of spice. Try.

2007 Estancia “Keyes Canyon” Central Canyon Merlot ($12). Estancia has been through so many owners and iterations through its history that it’s nice to pull a cork and find that the wine is still quite enjoyable – creamy and juicy cherry fruit, a deep purple coloring, but not too extracted or overly fruit forward. Buy.

2005 Chaddsford Pennsylvania "Merican" ($40). A Bordeaux blend mainly of Cab Sauv (60%) with portions of Merlot, Cab Franc and Petit Verdot. It has welcoming aromas and flavors of warm, slightly caramelized oak mingled in with firm fruit and a nice, lean finish. Consider.

Until next time...

Roger Morris



Friday, March 5, 2010

The Friday Lineup

A weekly commentary on selected wines tasted.

2007 Mouton Cadet Bordeaux Rouge (about $10). Sometimes a flaw can be charming, as in a dinner companion’s crooked grin or a touch of green stemmy-ness in a red Bordeaux. The vins gendarmes don’t like any vegetable notes in their red wines, due to early harvesting, but some of us grew up with a hint of greenbriers in our reds and still enjoy it. This Mouton also has good fruit from the 65% Merlot, 20 Cab Sauv and 15 Cab Franc blend. Buy.

2007 Clos de La Chance “Hummingbird Series” Central Coast Cabernet Sauvignon ($18). This falls into that nice-for-the-price category – good fruit, minerally, touch of leather, mild tannins. Not complex. Consider.

NV Fantinel Prosecco Vino Spumante Extra Dry ($15). Usually the extra dry category is littered with saccharine wines, but this is not one of them. It is as complex, fruity and clean on the palate as most bruts. Buy.

2008 Patone Cellars Brandywine Valley “La Fleur Blanc” (22). This is a promising new winery from Pennsylvania’s Chester County that uses purchased fruit, and with this wine the fruit is a blend of apples and oranges. At least in the flavors – orange notes from the Viognier, and apples from its Chardonnay companion. A very chalky wine, with a crisp and refreshing finish. Try.

2007 Patino Cellars Brandywine Valley Malbec ($30). Lots of cassis and spicy peppermint, yet this isn’t a fruit-forward wine, but more of a savory one. Well-made and interesting. Consider.

Until next time....

Roger Morris

Friday, February 26, 2010

The Friday Lineup™

A weekly commentary on selected wines tasted.

2008 Hayman & Hill Santa Lucia Highlands Reserve Selection Pinot Noir ($18). If you think of a bowl of tomato soup as great comfort food, as I do, then a glass of well-made but simple Pinot Noir in the Burgundy style is a comfort wine. Although it comes from southern Monterey County, this California Pinot is such a wine, much like ones made in good vintages from the less-familiar vineyards of the Cote d’Or. It’s a light wine, but certainly not short on the palate – mellow cherry and cola flavors with a touch of creaminess and a smooth finish. That’s it. But I’ve bought cases of wine such as these from Burgundy (and from Sonoma County back in the day when extract wasn’t important) and opened bottles a decade or two later that were as comforting to savor as – another analogy – a mild cigar. Buy.

2007 Frank Family Napa Valley Chardonnay ($33). Redolent with stone-fruit flavors like ripe apricots and dark peaches and savory spices like those found in Southern Rhone whites. Quite enjoyable.
Consider.

2007 Blackstone Monterey County Riesling ($12). Acceptable citrus flavors, but sugary and dull in the finish. Pass.

2007 Chaddsford Portfolio Collection Pennsylvania “Due Rossi” ($25). Pennsylvania’s Chester County continues to show that it can produce very good reds – generally blends – from Northern Italian varieties. This one is 80% Barbera and 20% Sangiovese, and winemaker Eric Miller has put together a full wine with dark, smoky berries, ripe cherries, warm oak and a hint of typical Sangio citrus notes in the finish.
Buy.

20007 La Linda Mendoza Malbec ($10- $12). Very nice wine that seems more Northern Rhone than Bordeaux in its style and flavors – a dark black raspberry core of flavor wrapped in rich earthiness. Excellent for winter meals. Buy.


Until next time...

Roger Morris

Wednesday, February 24, 2010

Recent Glimpses of Emilia-Romagna

I traveled to Bologna last week to take part in the annual Vini ad Arte program in nearby Faenza and to barrel sample the delicious 2009 Sangioveses di Romagna. I'll be writing several articles about the wine, food, art and people of Emilia-Romagna, but here is my own "sample" - a few advance glmpses of what I saw and did:

With Gian Alfonso Roda, president of the Enoteca Regionale Emilia-Romagna, I got to taste a cross-section of the wines of the region in the Enoteca's castle headquarters in the little hill town of Dozza - from semi-sparkling Lambruscos to Albanas in table wine and passito versions to the Gutturnio blends of Barbera and Bonarda to Pignolettos. The Sangioveses would come later. I'm the kind of drinker who likes a large variety of wines, which means that I enjoy the diversity of E-R. It can be confusing, however, as Roda notes: "For the novice drinker, Emilia-Romagna is a little like the Forrest Gump movie - it's like opening a box of chocolates when you're not sure what you'll get."

Then there are the Dozza walls. About 50 years ago, the town of Dozza, with its stone and stucco walls and narrow streets, started a Biennale competition (the next is September 2011) in which artists from around the world execute permanent paintings in all styles and subjects on the outside walls of the locals' bedrooms and dining rooms (see below). I found it fascinating walking around, and I hope I get an invitation to come back in a 18 months. :)


Third, I got a cross-section of the region's cuisine with three pasta dishes - the passatelli ("a handful of grated bread crumbs, a handful of parmigiano reggiano and an egg" in brodo with some grated nutmeg) of Ristorante Canè in Dozza, the signature tagliatelle bolognese ("no onions, no tomatoes, no garlic") at Daniele Minarelli's Osteria Bottega in Bologna and the uovo in ravioli (an orange-hued yoke ravioli with lots of cheese and truffle slices) at the elegant San Domenico in Imola.

Then there was the diverse array of ceramics from around the world - holy and profane, ancient and modern, utilitarian and whimsical - at the International Ceramics Museum (top) in Faenza (yes, the word source of faience ceramics).

Finally, there were the tastings of barrel samples and old bottles of Sangiovese di Romagna put together by the Convito di Romagna, headed by Enrico Drei Donà, pictured below at the family estate. It is my belief that Romagna is proving itself the fourth region of great Sangiovese, moving up to conversing terms with its more-famous Tuscan neighbors.


But more about all of this later. I'll keep you posted as articles appear over the next several months. For more on the region, go to www.enotecaemiliaromagna.it/

Until the next time....

Roger Morris



Friday, February 19, 2010

The Friday Lineup

A weekly commentary on selected wines tasted.

2008 Monte Carbonare “Suavia” Soave Classico (about $27). Soave is going through the same transition that Chianti did 30 years ago – having people discover that in spite of the lower-quality examples that we generally find in America, there is some really good stuff being made in this region. And this is one of them. Suavia has strong lactic and minerally qualities, tastes a bit like a cross between an un-oaked Chardonnay and a Sauvignon Blanc, although the grapes are 100% Garganega. Lively fruit and acidity. Quite good. Buy.

2008 Ruffino Chianti ($9). As defense secretaries and football coaches like to mutter, “It is what it is,” and this Ruffino is a simple, inexpensive Chianti. Nice cherry flavors and a tin-cup minerality with a touch of the Sangiovese raspy finish. Yet why does it remind me more of a simple Beaujolais than Chianti? Consider.

2006 Cuvelier Los Andes Grand Vin ($40). This Malbec-dominated wine comes from the family which owns Château Le Crock in St.-Estephe and it a part of the Michel Rolland-led Clos de los Siete compound in Mendoza. The breeding shows. The Cuvelier family and Rolland were both raised in the grand Bordeaux blending tradition, and this blend of Malbec (70 percent) and 10 each of Merlot, Caberet Sauvignon and Syrah is delicious. It has loads of stuffing, but it is approachable now – dark fruits, chocolates, earthiness, dusty tannins. Buy

2008 Alice White Southeast Australia Shriaz ($7). Some good fruit in the front, but the finish is too earthy and gawky for me. Pass.

2008 Ruffino “Lumina” Pinot Grigio ($11). It’s enjoyable – fruity with dried spices around the edges – but tastes a tad sweet and artificial. You can do better for the same price. Pass.

2007 “Red Guitar” Old Vine Tempranillo/Garnacha Navarra ($9). I really like this wine and kept coming back to the open bottle. Lots of ripe, rounded fruit, moderately complex, deeply satisfying. Buy.

2007 Think Tank “La Encantada” Santa Rita Hills Pinot Noir ($60). In limited distribution. This is a big wine with concentrated black raspberry flavors, yet the taste is more Burgundy than new world. Nice chalky finish with good acidity and a long finish. Very nice wine, though I should warn that the concentration will be too much for those who like lighter Pinots. Buy.


Until next time...

Roger Morris

Saturday, February 13, 2010

The Friday Lineup - Bordeaux Style

It is true that I have been drinking wine in Bordeaux for the past several days, although not to review them, as I normally do in The Friday Lineup. Instead, I was on assignment to work on a half-dozen articles - but that doesn't mean I don't have some reader recommendations.

First, get ready for the 2009 vintage when it comes up to buy on futures this summer. I tried several 2009s, both the components and the blends, at several wineries, and what I tasted was uniformly good. It's been touted as the best since 2005. We're still six weeks or so away from primeurs - the big 2009 vintage tasting - so the blends that have just been put into barrels will taste even better when they are formally presented to the wine world. Balance is the key to this vintage, although those who wring their hands over alcohol will pay too much attention to what's on the label and not in their mouth. Anne-Francois Quie of Chateau Rauzan-Gassies calls 2009 a "winemakers vintage" in that there were so many options. "There was no rushing or disasters at harvest, so we could make choices."

Second, pay more attention to the Cotes de Castillon, the wine region east of St.-Emilion that occupies the same plateau as that stellar app. The wines are similar in composition and style to St. Emmy, but are much more reasonable in price. I visited four chateaux which sell to the U.S., and I can recommand all of them - Clos Puy Arnaud and Chateaux Castegens, de Pitray and Poupille.

Third, if you visit Bordeaux, take time to go Margaux gourmet with a tour set up by women at four chateaux who call themselves Les 4 Margalaises. The chateaux are Rauzan-Gassies, Kirwan, La Tour de Bessan and Prieure-Lichine, and the tour includes a lot of background on Margaux that I found fascinating, even after many visits there. Plus you get to drink and nibble at each chateau and experience a gourmet lunch at one of them.

Next week, we get back to our regular programming of wines to consider, buy, try and take a pass on.

Until next time...

Roger Morris